Nora Iuga - „Berlinul sunt eu” sau despre strategiile autoreprezentării

Abstract

Nora Iuga’s diary conveys the sense of identity grasped within the
symbolical pilgrimage among the conflictive poles of the representation paradigm:
the Eastern traveler carrying the phantasms of the former totalitarian Centre to the
West to whom tries to tell her literaturised story and the women writer who, in a
men’ world, voices out her otherness by constructing a narrative focused on feeling
and erotic expression of the self.