No 9 (2019)

Articles

“But They’re Nothing Like Us!” A Pedagogic Approach to Shakespearean Drama in Kuwait

Shahd ALSHAMMARI

9-16
- PDF (anglais)
Clowns, Guns and a Writer’s Block: Romanian-American Encounters in Her Alibi (1989)

Gabriela Iuliana Colipcă

17-37
- PDF (anglais)
Consciousness on Stream in The Ambassadors by Henry James

Liliana COLODEEVA

38-45
- PDF (anglais)
The Otherworlds of the Mind: Loci of Resistance in Ursula K. Le Guin’s The Word for World Is Forest and Voices (Book II of the Annals of the Western Shore)

Gabriela DEBITA

46-67
- PDF (anglais)
Constructing Identity in Higher Education Prospectuses. Approach to the Rhetoric of Excellence

Alina GANEA

68-86
- PDF (anglais)
Essential Textual and Editorial Markers of the Editions of the Bible’s Georgian Translations in the Pre-Soviet, Soviet and Post-Soviet Eras

Ketevan GIGASHVILI

87-99
- PDF (anglais)
Private Letters as Visual Evidence for Disclosure of the Totalitarian Regime

George GOTSIRIDZE, Ketevan GIGASHVILI

100-112
- PDF (anglais)
“… the price we pay for peace”: Luba Lukova’s Poster Art

Mara IVAN-MOHOR, Ioana MOHOR-IVAN

113-118
- PDF (anglais)
Narrative Strategies of the Representation of Consciousness in the Modern Georgian Novel: Post-Soviet Experience (Based on Obole by Aka Morchiladze)

Irakli KHVEDELIDZE

119-124
- PDF (anglais)
The Complete Works of Shakespeare in Ukrainian: A Breakthrough or a Slowdown?

Bohdan KORNELIUK

125-133
- PDF (anglais)
The Mock-Shakespeare by Les Podervianskyi: Overcoming Soviet Experience

Daria MOSKVITINA

134-142
- PDF (anglais)
Intertextual Ever Afters: Fictionalised Biography and Compensatory Adaptation in Shakespeare in Love and Becoming Jane

Lucia OPREANU

143-156
- PDF (anglais)
The Main Father-Daughter Relationship in Julia Kavanagh’s Rachel Gray Between Reality and Fictionality

Alina PINTILII

157-170
- PDF (anglais)
The Art and Politics of Rewriting. Margaret Atwood’s Historical Notes on The Handmaid’s Tale

Michaela PRAISLER, Oana Celia GHEORGHIU

171-181
- PDF (anglais)
The Azerbaijan Carpet Museum: A Symbol of National Identity and Heritage in a Post-Soviet Era

Katherine RUPRECHT

182-185
- PDF (anglais)
(De)Constructing Leadership through Ritualised Discourse

Gabriela SCRIPNIC

186-200
- PDF (anglais)
On Book to Movie Adaptations

Steluța STAN

201-208
- PDF (anglais)
The Rhetoric of Geopolitical Fiction in Churchill’s Iron Curtain Speech

Florian Andrei VLAD

209-219
- PDF (anglais)

Cuprins

Cuprins

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1-6
- PDF (anglais)

Articles

“But They’re Nothing Like Us!” A Pedagogic Approach to Shakespearean Drama in Kuwait

Clowns, Guns and a Writer’s Block: Romanian-American Encounters in Her Alibi (1989)

Consciousness on Stream in The Ambassadors by Henry James

The Otherworlds of the Mind: Loci of Resistance in Ursula K. Le Guin’s The Word for World Is Forest and Voices (Book II of the Annals of the Western Shore)

Constructing Identity in Higher Education Prospectuses. Approach to the Rhetoric of Excellence

Essential Textual and Editorial Markers of the Editions of the Bible’s Georgian Translations in the Pre-Soviet, Soviet and Post-Soviet Eras

Private Letters as Visual Evidence for Disclosure of the Totalitarian Regime

“… the price we pay for peace”: Luba Lukova’s Poster Art

Narrative Strategies of the Representation of Consciousness in the Modern Georgian Novel: Post-Soviet Experience (Based on Obole by Aka Morchiladze)

The Complete Works of Shakespeare in Ukrainian: A Breakthrough or a Slowdown?

The Mock-Shakespeare by Les Podervianskyi: Overcoming Soviet Experience

Intertextual Ever Afters: Fictionalised Biography and Compensatory Adaptation in Shakespeare in Love and Becoming Jane

The Main Father-Daughter Relationship in Julia Kavanagh’s Rachel Gray Between Reality and Fictionality

The Art and Politics of Rewriting. Margaret Atwood’s Historical Notes on The Handmaid’s Tale

The Azerbaijan Carpet Museum: A Symbol of National Identity and Heritage in a Post-Soviet Era

(De)Constructing Leadership through Ritualised Discourse

On Book to Movie Adaptations

The Rhetoric of Geopolitical Fiction in Churchill’s Iron Curtain Speech

Cuprins

Cuprins

Book review

Ioana Mohor-Ivan (ed.; coord.) 2019. Cinematic Journeys: Myths, Hero(in)es, Gothic Frames. Cluj-Napoca: Casa Cărții de Știinţă, ISBN: 978-606-17-1508-4, 224 pp.

Oana-Celia Gheorghiu. 2018. British and American Representations of 9/11. Literature, Politics and the Media. Switzerland: Palgrave Macmillan, ISBN 978-3-319- 75250-1, 269 pp.

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