No 11 (2021)

Publiée: 2025-05-07

Cuprins

Cuprins

*** ***

1-8
- PDF (anglais)

Articles

Interrupting the Illusion in the Closet: Literary Tableaux of Contemplation in Henry Fielding’s Novel Tom Jones

Christian ARFFMANN

11-21
- PDF (anglais)
Transformative Voyages: The Boat and the Ship in Ursula K. Le Guin’s Earthsea Cycle

Gabriela DEBITA

22-37
- PDF (anglais)
Intertextuality and Spatiotemporal Agency in Butor’s La Modification

Erfan FATEHI

38-49
- PDF (anglais)
Film Culture and the Psychology of Sound. A Case Study

Monica GEORGESCU

50-59
- PDF (anglais)
The Handmaid’s Tale (Visually) Retold

Oana Celia GHEORGHIU, Michaela PRAISLER

60-70
- PDF (anglais)
Georgian Cultural-Intellectual and National Islands beyond Ideological Frontiers

Ketevan GIGASHVILI, Mzia GIGASHVILI

71-83
- PDF (anglais)
Photography and the Imperial Propaganda: Egypt under Gaze

Fatima Zohra HAMRAT

84-99
- PDF (anglais)
More than Meets the (Heterosexual) Eye: Soldierly Queerness, Wartime Bisexuality, and Fred Zinnemann’s Films Starring Montgomery Clift

Kylo-Patrick R. HART

100-114
- PDF (anglais)
Shakespeare in the Box: Gregory Doran’s Hamlet (2009)

Ana-Maria IFTIMIE

115-124
- PDF (anglais)
‘Iron Maidens’ vs. the ‘Witless Pet’: Typecasting the Woman Politician in Editorial Cartoons and Memes

Mara IVAN-MOHOR

125-146
- PDF (anglais)
The Delusion of the Dream in Ta-Nehisi Coates’ The Water Dancer

Alicia JOSEY

147-156
- PDF (anglais)
Octavia Butler’s Kindred: The Cultural Context of Production

Marietta KOSMA

157-169
- PDF (anglais)
Filmed Love Letters: The Dialogism and Intertextuality of Lost in Translation and Her

Travis R. MERCHANT-KNUDSEN

170-183
- PDF (anglais)
Constructing Reality: The Ways of Seeing in Ali Smith’s How to Be Both

Dilara ÖNEN

184-204
- PDF (anglais)
Refining the Perspectives on Language Proficiency: Bilingualism and True Bilingualism

Gabriela SCRIPNIC

205-218
- PDF (anglais)
A CDA Approach to Anti-Pandemic Protests

Daniela ȘORCARU

219-234
- PDF (anglais)
Pleating Stylistic Functions, Or When Literature and Linguistics Collide

Oana Celia GHEORGHIU

235-238
- PDF (anglais)

No 11 (2021)

Cuprins

Cuprins

Articles

Interrupting the Illusion in the Closet: Literary Tableaux of Contemplation in Henry Fielding’s Novel Tom Jones

Transformative Voyages: The Boat and the Ship in Ursula K. Le Guin’s Earthsea Cycle

Intertextuality and Spatiotemporal Agency in Butor’s La Modification

Film Culture and the Psychology of Sound. A Case Study

The Handmaid’s Tale (Visually) Retold

Georgian Cultural-Intellectual and National Islands beyond Ideological Frontiers

Photography and the Imperial Propaganda: Egypt under Gaze

More than Meets the (Heterosexual) Eye: Soldierly Queerness, Wartime Bisexuality, and Fred Zinnemann’s Films Starring Montgomery Clift

Shakespeare in the Box: Gregory Doran’s Hamlet (2009)

‘Iron Maidens’ vs. the ‘Witless Pet’: Typecasting the Woman Politician in Editorial Cartoons and Memes

The Delusion of the Dream in Ta-Nehisi Coates’ The Water Dancer

Octavia Butler’s Kindred: The Cultural Context of Production

Filmed Love Letters: The Dialogism and Intertextuality of Lost in Translation and Her

Constructing Reality: The Ways of Seeing in Ali Smith’s How to Be Both

Refining the Perspectives on Language Proficiency: Bilingualism and True Bilingualism

A CDA Approach to Anti-Pandemic Protests

Pleating Stylistic Functions, Or When Literature and Linguistics Collide

Faire une soumission

Informations