The Trauma of Existence in The New York Trilogy

Résumé

https://doi.org/10.5281/zenodo.7854845

All along the New York Trilogy, Auster‘s detectives bear unspoken wounds of their past. Their epistemological quest for the truth is further hampered by their uncertainty to find answers about who they truly are. Chasing a perpetrator turns into chasing a shadow, an inner self, and a sense of belonging. Drawing on Trauma theory, this essay attempts to examine how The New York Trilogy is an artistic materialization of an underlying trauma leading to a confused definition of identity. This article shall primarily focus on the reading of the novel as a traumatic event. It will examine how textual indeterminacies are implemented to convey a problematized self-definition. Ultimately, it shall study how the detectives‘ quest for the truth is a query for personal, social and artistic belonging. This belonging is lost in the tides of a traumatic past that impedes the articulation of a clear subjectivity.