No. 10 (2020)

Published: 2025-05-08

Cuprins

Cuprins

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1-8
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The Roaring 20s

Luxurious Cinema Palaces in the Roaring Twenties and the Twenty-First Century: Critical Analyses of Movie Theatres by Siegfried Kracauer and Their Relevance Today

Viola E. RÜHSE

13-30
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Promoting and Containing New Womanhood in the Pages of Photoplay: The Case Of “Little Mary” Pickford and Her Mediated Alter Egos on the Cusp of the Roaring Twenties

Kylo-Patrick R. HART

31-45
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Disappearance of the Self and Its Constitutive Outside in Kafka and Woody Allen’s Zelig

Lukas MOZDEIKA

46-56
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No More Hugs: Depictions of the Prodigal Son in 1920s Art and Literature

Christian ARFFMANN

57-69
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Transfer Points: Artistic Intersections and Cultural Transitions in John Dos Passos’s Fiction of the 1920s

Robert MCPARLAND

70-85
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Criticising the Critic: The Greek Modernist Poet G.T. Vafopoulos on Greek Literary Critic Antreas Karantonis

Dimitris KOKORIS

86-94
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... And The Roaring 2020s

Inter-Texting Cultures during Pandemic(s): A Pragmatic Approach and Beyond

Daniela ȘORCARU

95-106
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The Girl in the Tangerine Scarf: Constructing Diasporic Muslim Identities in a Coming-of-Age Narrative

Lia LING

107-121
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Once Upon a Time: The Author Is Dead! Long Live the All Mighty Quill!

Lidia Mihaela NECULA, Oana Celia GHEORGHIU

122-133
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“Only in Dying Life”: Ursula K. Le Guin’s Dry Land and Its Cultural Contestations

Gabriela DEBITA

134-148
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Cyber Experience as a Resource for Making Alternative Worlds in the Georgian Postmodernist Novel Chewing Dawns: Sugar-Free

Irakli KHVEDELIDZE

149-164
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