No More Hugs:

Depictions of the Prodigal Son in 1920s Art and Literature

Abstract

https://doi.org/10.5281/zenodo.4322237

This essay examines the parable of the prodigal son in the New Testament and compares it
to different visual and literary representations from the 1920s in Europe. The story of the
prodigal son revolving around themes such as family, home, resistance, order and
restoration will be juxtaposed with texts and art works from the so-called Lost Generation,
a generation of artists and thinkers developing and rebuilding new art in a continent
shattered by the atrocities of World War I. The essay examines the conflict between
generations and worldviews that emerges in the 1920s and the prodigal artists’
reorientation in a fragmented world in which it is hard to feel at home.