De la ideologia revoltei la inovaţie în discursul plastic şi poetic american*

Abstract

During its diachronic re-shaping process, the ideological creative aim of the artistic and literary Avant-garde enhances the positive drive for changing the assumed “old-fashioned static” structural and semantic traits displayed by both artistic and literary works. The present paper debates on the basic conceptual issues and functional strategies articulating the artistic / literary objects as enhanced by two well-known American Avant-garde movements – the Pop Art and the Beat generation’s poetry